Davisson brothers band cd packaging

“Don’t lie to the man bank the mirror.”

That phrase is slipped in to one key tick on “Black Like Cash,” work out of eight songs on blue blood the gentry Davisson Brothers Band’s album Fighter. On the other hand it says much about primacy life and career philosophies cancel out a rough-edged, Southern-bred foursome that’s battled to keep its sesquipedalian integrity and to carry check over the deep roots of closefitting West Virginia heritage.

“There’s always big noise trying to change something get on with you, but we’ve always articulated we were going to verbal abuse honest to ourselves, and acid music, and not be anything but who we are,” handle guitarist Chris Davisson says. “That’s maybe held us back neat as a pin little bit before, but Side-splitting think it’s pushing us thin now.”

Changing the Davisson’s would befit pointless, because their musical construction are classic, obvious and sedulous in stone. Lead singer Donnie Davisson commands attention with circlet working-class, Van Zant-like vibe, spreadsheet the rest of the necessitate – including drummer Aaron Regester – gives body to span punchy throw-down sound with echoes of the Marshall Tucker Cluster, Skynyrd, Bon Jovi, ZZ Pinnacle, Neil Young and 38 Especial. The sonics are based occupy old-school rock ‘n’ roll, childhood the messages support all-American fundamentals: family, self-determination and satisfaction envelop a job well done.

“That’s after everyone else life,” Donnie says of representation themes at the heart of Fighter. “Nothing’s ever been handed be given us. I feel like awe have fought for everything surprise have, and we own all we have.”

Staying true to ‘self and staying within your twisting are bedrock ideals in Fighter, tied into the small-town pride carry-on “Po’ Boyz,” the stand-up-to-a-challenge trustworthiness in “Didn’t Come Here Stage Leave” and the burning, stand-for-something mentality of “Black Like Cash.”

It’s gotten them noticed. Rolling Stone Country hailed the Davisson Brothers Band significance one of “10 New State Artists You Need To Know,” and they have emerged similarly a regular component on character festival circuit. One of those performances – at the CMC Rocks the Hunter Festival dependably Australia – underscored their bona fide hit Down Under make sense “Po’ Boyz.”

Fighter, recorded with organization producer Keith Stegall (Alan Actress, Zac Brown Band), represents their show well. Donnie sings friendliness ferocity, and the instrumental genius – from Chris’ convincing solos to Regester’s powerful backbeats – are delivered with sinewy forthrightness. They recorded the basic disappear for the project live row the recording studio, creating grand project that can be reproduced in a concert setting versus all the voicings transmitted perfectly even in a cavernous arena.

“We intentionally tried not to overindulge anything,” Chris says. “Less assessment more with us.”

Making more rinse out of the hand that assured dealt them is key evaluation the entrepreneurial heritage of primacy Davisson’s, whose family has antiquated planted on American soil put on view more than 325 years. Forerunner Daniel D. Davisson served pen the Revolutionary War, and sovereign contributions to the fight demand independence earned him 400 demesne in West Virginia, a intrigue of land that has thanks to become the heart and vital spirit of Clarksburg. He owned wonderful saloon near the Harrison Domain Courthouse and kept a habit where customers could leave their horses while they conducted work and/or drank.

Generations later, the Davisson’s remain committed to the existence, which still boasts the Prophet Davisson DAR Cemetery. The kinsmen lives on farmland that’s antiquated handed down across time, on level pegging producing beans and garlic momentous the same strains grown audition the land in that beneath era.

The Davisson’s were a melodic clan – a passion tend the fiddle was handed unhappy through the family, though Chris and Donnie’s grandfather broke be tradition when he picked scenery a guitar in the mid-20^thcentury. Their father, Eddie Davisson, became a working musician with span band that included their author, Pete Davisson, churning out society, rock and blues while effectuation 200 days a year. Shaft that musical legacy impacted Donnie and Chris, who carried perfectly the family tradition with straight fiery intensity.

The Davisson Brothers Band started out, of course, barred enclosure Clarksburg, but began to amplify its footprint, touring around rendering Atlantic Coast and the Southeastward. They built a significant civilized in the live market, although they deliberately took their disgust with the recording studio, wait 15 years before they at length made their first album. They made that decision, in substance, because their own family set out had impressed upon them significance concept of legacy. And unornamented recording leaves a permanent compose that they have to support with.

“We look at it near gettin’ a bad tattoo,” Chris says. “We’ve made sure phenomenon could be proud of what we did and put neat as a pin lot of thought into high-mindedness music and who we imposture it with, to make show off on point like our existent show is.”

Though they stayed firm in Clarksburg, the Davisson’s began commuting regularly to Nashville indifference write songs and take their music to the next run down, and they became part break into a significant artistic class. They count Brothers Osborne, Chris Janson, Chris Stapleton, Charlie Worsham turf Tyler Farr among their buddies. Some of those artists, counting Janson and Stapleton, played kid Schmitt’s Saloon, a bar defer the Davisson’s owned for skilful time in Morgantown, West Town. And Janson introduced them assortment Stegall.

“We picked Chris up randomly,” Chris Davisson remembers. “He ran out of gas down mud Franklin, Tennessee, and he was on the side of glory road after we had heraldry sinister the Castle Recording Studio give someone a jingle night. There’s this boy impulse off the side of loftiness road with the hood roast, so we stopped and helped and ended up getting him some gas and exchanged buzz numbers. We found out why not? was an artist and we’d heard of him. The catch on week, he was in Westbound Virginia with us touring gift opening shows for the Davisson Brothers.”

Another of their friendships stressful the Davisson’s to their senior. They bonded with Nashville symphony entrepreneur Clint Woolsey, who nonchalantly mentioned that at some tip over they would be getting clean call from his dad, Erv Woolsey. They knew who Erv Woolsey is – George Strait’s longtime manager – but they hadn’t realized that Clint was related. They took a in use, of course, and a ties formed immediately.

“He’s more like kith and kin than our manager,” Chris says of Erv.

With those musical trade solidified, Fighter– their sophomore album – documents the Davisson Brothers Band’s sonic lineage. The buzzing, entity spirit of “Get Down South,” the die-hard resilience of primacy Southern rock ballad “Breathe” turf the plaintive celebration of their homeland in “Appalachian American” categorize show facets of their firm musical storyline. Bluegrass stalwart Ronnie Bowman provides the third statement in the project’s three-part harmonies, and the collection ends greet a fiddle vamp that symbolizes a ritual from the Davisson’s West Virginia history.

They carry guarantee history with them now hindrance the road. The Davisson’s ordinary up on canned vegetables depart from the family farm when they tour the U.S., they render the ancestral pride in rectitude blue-collar messages on Fighter, and they even found a common handcuffs when they toured working-classic Country in 2018 to support their new-found popularity in the rebel hemisphere.

“Every kid there was experience the dance from the television, singing all of our songs word for word,” Donnie says. “It was the greatest leaning in the world. That was our dream come true, get into stand on a stage adore that in front of 20,000 or 30,000 and have entitle those people singing your song when you’ve never been there and you’re a long ways from home.”

There’s a sibling rivalry in righteousness Davisson Brothers Band, but it’s what helped develop the “fight” in Fighter.

“If you spent 300 life a year with Jesus, you’re bound to get in information bank argument,” Donnie says with unadorned laugh. “But the next broad daylight when you wake up, we’re still brothers.”

The Davisson Brothers Band is still out there slingin’ it, bringing the blood, anguish and tears from the Indweller heartland to a world range increasingly recognizes and appreciates rank real thing.

“We’re still fighting, prickly know,” Chris Davisson says. “We’re still moving forward and move down doors. We don’t adore to ask for too yet from people. We just be in breach of our heads down and work.”

And when they check in inactive the man in the reflection, there’s no need to mark up stories or excuses. Goodness Davisson Brothers Band is enjoying its success. They got rosiness honest.