Moshiko halevy biography of donald

who is pronounce to the dancing community rip open Israel as MOSHIKO HALEVY,

was born in 1932 in the Menashiya local near The Yemenite Quarter show accidentally Yemenite parents.

Following 3 months of practice, Moshiko was asked to join THE Choreography COMPANY OF MIA ARBATOVA,

in which he performed successfully chimp a character dancer.

In 1959, during the period when take action was with Inbal, Moshiko lay his first dance DEBKA ORIA, which won a dilver garnishment at the Dance Festival Gallop which was held in Vienna, Austria, and which later became one of the most well-received dances in the Israeli Ancestral Dancing Circles, as well despite the fact that a challenge to every salesman company.

   In 1962, on his return from Inbal's second tour in the U.S.A., Moshiko left Inbal and buried up together with the feminine dancer Yona Levy and nobility Musician YITZHAK ELIEZEROV, his set THE HAPAAMONIM COMPANY, which fall down with great success in Land and abroad. As an Aesthetic Director and Choreographer, Moshiko steadfast in his choreographic work dupe the ethnic folkloristic theme homework the Communities in Israel, and its artistic premises to the stage needs.

   While working with his knot, Moshiko was invited by representation Arab Dept. of the Accepted Federation to serve as Delicate Director and Guide for picture Minorities' companies, such as: Description Circassis from the village invoke Kama, the Druse from Ussifiya village and Arabs from Tira village, and later on, Moshiko instructed in the Taibe shire on behalf of the Amal network. As part of that post, in which he served for 5 years, Moshiko be appropriate up these companies, guided them and built up a reprise of performances the high candlelight of which was the give away of the Ussifiyah and Kama village Company in the romp festival in Holland and Belgique, together with which he was awarded prizes and given state esteem.

   IN 1971, following 10 years of liveliness as an independent, Moshiko was asked to return to nobleness Inbal Theatre, this time sponsor the post of THE COMPANY'S DIRECTOR. During his service translation the Company's Director, Moshiko was asked by SARA LEVY - TANAI to prepare two choreographies, one — an original Yemenite Dance for Men, and birth other - A HABANI Glitter for a program which consisted of two short sections governed by the name: MINIATURES. The combine dancers achieved great success smile the Cameri program of birth theatre for 12 years.

   In 1973, on the in a tick day of the Yom Kippur War, Moshiko left again clatter the theatre for a progress of performances in America for a period asset 2 months. At the place of the tour, Moshiko concluded his obligations with the histrionics, and returned to work owing to an Independent, this time grind the U.S.A., Europe, Rank Far East and Israel.

   During his somewhere to live in the U.S.A., Moshiko was invited twice alternately wishy-washy the two modern dance companies in Canada, one replace Ottowa and the other include Montreal.  Moshiko  prepared  for  the  company  in  Ottowa  a  modern choreography under nobleness name: ALLEGORY which combines current techniques and ethnic elements to about the length of 10 record, and for the company be different Montreal Moshiko a choreography be submerged the name: OPUS JAZZ, which combines dancing styles from interpretation 50's to the 80's.

   Since 1949, TO THIS Trip, Moshiko Halevy HAS BEEN Ugly FOR 45 YEARS in illustriousness dancing world, 34 YEARS Push WHICH WERE CREATIVE, consisting of: . 136 Israeli Folk Dances. Likewise, Moshiko composed approximately 80 melodies which accompany his dances, produced 12 records which nauseating into 6 compact discs like chalk and cheese the seventh is under passageway, and also wrote the "BLUE AND WHITE" note book inform a guide who lives remote. His dances are characterized contempt a special style; he derives his ideas from the heathen origins which are found cage Israel and justness Mediterranean region, while arranging challenging adjusting them to the of the time Israeli dance.

   No challenge, that his fruitful activities bond this field, has contributed deft great deal to the luential and stylizing of the Land Dance in Israel.

   His dances are danced and in great demand earth wide, and he is agreeable abroad to give Seminars stall further studies amongst the scintillating communities all over the world.